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The Domain of the Novel: Reflections on Some Historical Definitions discusses the genre of the novel and its dialogic and dialectical characteristics through an in-depth analysis of some classic English, Russian, American and Indian novels. A collection of lectures by the distinguished scholar of literature, A. N. Kaul, it analyses the exploration of personal voices and histories within a larger socio-political landscape in these works. Drawing examples from the works of Fielding, George Eliot, Dickens, Thackeray, Melville, Hawthorne, Twain, R.K. Narayan and others, who defined and redefined the territories of the novel, this book examines the articulation of the lived social, political and material realities of ordinary individuals in this genre. The lectures situate the novels within their cultural, socio-political, and historical contexts while focusing on their historical continuity and relevance. They further demonstrate how the domain of the novel brings together a multitude of voices while discussing conflicts of class, identity, nationalism, and historiography. The volume includes an insightful critical introduction by Sambudha Sen. It will be of great interest to researchers and scholars of literature, cultural studies, post-colonial studies, literary theory, creative writing, history, and sociology. It will be especially useful for readers interested in studying forms of fiction and the 18th, 19th, and 20th century novel. © 2021 Mythili Kaul.

World University root node

English

(SoHSS) School of Humanities and Social Sciences

The Domain of the Novel: Reflections on Some Historical Definitions

The domain of the novel: Reflections on some historical definitions

This essay responds to current scholarship as it explains the poor person’s horror of dissection in the Victorian period as part of a long and complex process of deprivation. Working with the Anatomy Act (1832) and the New Poor Law (1834) as its backdrop, this essay examines three anxieties that were inseparable from the pauper’s existence: the social embarrassment attendant on the loss of personal belongings, especially clothes; the humiliation forced upon workhouse inmates by the New Poor Law diet; and the existential foreboding triggered by the prospect of postmortem dissection. It culminates in a consideration of the early works of Charles Dickens, who found in fiction a set of strategies that allowed early Victorians simultaneously to register and to compensate for these anxieties. © 2017 The Trustees of Indiana University.