The manifesto proposed new approaches to understanding the translations industry and the distribution and reception of genres, along with alternative ways of conceptualising genre themes and motifs, while reconstructing the historical matrix to analyse differences and similarities between genres. Rieder argues that genre fiction, including science fiction, fantasy, detective fiction, and horror, describes an entirely new phenomenon, which the ‘genre as narrative form’ usage/category does not capture. One such expectational outcome in the intersection of the historical and the formal is offered by the ubiquitous use of myth in genre fictionfrom India. Trailokyanath Mukhopadhyay, as a pioneer of genre fiction in India, was a staunch critic of nationalism, even though he was arguably one of the foremost social reformers of the colonial period. Indian Genre Fiction: Past and Future Histories is the one of the first academic engagements on a field that deserves deeper investigation and, in doing so, brings many languages, genres, and perspectives together. © 2019 selection and editorial matter, Bodhisattva Chattopadhyay, Aakriti Mandhwani and Anwesha Maity; individual chapters, the contributors.